![]() ![]() So I was gonna normalize the samples to about the same levels, probably bring up the quietest to the loudest level. If I recorded through a compressor/limiter it would probably be less a problem, but trying to fix in post instead of rerecording. Trying to figure out a way to fix problem recordings where the audio levels are not the same when they should be similar. I'm trying to do some post processing on a set of autosample recordings where the audio levels change in certain frequencies, due to mainly filter resonance and things aligning not quite how I want in that range of the keyboard. what do you want or need to do to the samples?Īudition does batch processing? I didn't know. It’s a definite recommendation to beginners as well as experienced professionals, though only available for Mac OS.įor all the features that I didn’t mention, but are nonetheless awesome, please refer to icedaudio.Babaluma wrote:i do all my batch processing in adobe audition and voxengo r8brain pro. This is my only real complaint with the software, because as a library producer, you simply need that functionality, and I would really enjoy being able to do that within my primary asset manager.Īt a fraction of the competition’s price, AudioFinder delivers in almost every respect. What you can’t (yet?) do is batch-import metadata, for example from an Excel file. With AudioFinder you cannot only read and search metadata, you can also write it. Additionally, you can load up any of your AudioUnit plugins for processing or playback, unfortunately only one at a time.įeatures like split to dual mono, join split stereo to interleaved, the very special micro harmonic comparison as well as the option to play back finder selections make it even more handy.Īll of those measures are non-destructive, AudioFinder creates new files when processing audio. ![]() Not only can you edit your files, there are a number of basic processing options available, such as the ever-useful pitch shift, normalize, or change gain. Once you have found your desired file, there’s a lot you can do to tweak it, before ever starting up your sequencer. Another way to go is tag based browsing, also supported by AudioFinder. The search results can be sorted by time, size, samplerate, and many more categories, which can be a huge timesaver when dealing with large amounts of files. You can either browse your drives manually, or have AudioFinder crawl your system (or specific folders), creating a database with all your audio files, including metadata. At a stunning $ 69.95 (at the time of writing), AudioFinder does pretty much everything a good audio asset manager does. When I started at BOOM, Axel Rohrbach suggested Iced Audio’s Mac OS Software AudioFinder to me. As a novice sound designer, you probably won’t have an extra 900 bucks or so to spend, in addition to the speakers, microphones, recorders, computers, acoustic treatments and 200 other things you have to buy if you want to get serious in this business. ![]() (dos) When I first got started in sound design, and was setting up my, well, setup, I was shocked by the price of common audio asset management software. “BOOM sound designer David Osternacher talks about “AudioFinder”, a great software tool to find and organize your plethora of sound effects. ![]()
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